- Script by Victor Gischler
- Art by Will Conrad
- Colors by Michelle Madsen
- Letters by Richard Starkings and Jimmy Betancourt
- Published by Dark Horse Comics
Showing posts with label Joss Whedon. Show all posts
Showing posts with label Joss Whedon. Show all posts
Friday, October 9, 2015
Comic Review: Angel and Faith Season 10 #19
Friday, September 25, 2015
Comic Review: Buffy the Vampire Slayer Season 10 #19
- Script by Christos Gage and Nicholas Brendon
- Art by Rebekah Isaacs
- Colors by Dan Jackson
- Letters by Richard Starkings and Jimmy Betancourt
- Published by Dark Horse Comics
Friday, September 4, 2015
Comic Review: Angel and Faith Season 10 #18
- Script by Victor Gischler
- Art by Cliff Richards
- Colors by Michelle Madsen
- Letters by Richard Starkings and Jimmy Betancourt
- Cover by Scott Fischer
- Variant Cover by Mike Norton and Michelle Madsen
- Published by Dark Horse Comics
Friday, October 4, 2013
Review: Agents of S.H.I.E.L.D. Episode 2: 0-8-4
The first thing you might notice is that I'm starting here with episode 2. I didn't review the pilot, and while it started as simply a matter of running out of time, I'm starting to think that it might be a good direction to go in. Pilot episodes are always a little scattered and trying to do so many different things at once, and any attempt to write about that episode would end up being scattered due to that. Long story short, I really liked it, no it's not perfect, but it made me want to watch more and that's what really matters. Enough of that, let's move on forward and talk about the second episode, "0-8-4".
When they first announced Agents of S.H.I.E.L.D., I thought that it was going to be more along the lines of Dollhouse: small group working within and occasionally against a larger, omnipotent organization, that seemed like a likely direction to take it in. What ended up happening, instead, is that we can finally stop complaining about Firefly being cancelled over a decade ago, since this is the closest we'll ever get, and I'm okay with that (I'll have more to say about that in another article, I can promise that). It resembles Firefly to an uncanny degree at times - small, occasionally dysfunctional group that lives on a plane, and the characters match up a little closely at times: the Captain who trusts his crew beyond any logic (Coulson, resembling Mal), the gun-happy "Why am I protecting these idiots" guy (Ward, resembling Jayne), the guy/girl medical/mechanical genius team (FitzSimmons, resembling Simon and Kaylee), and the mysterious badass ninja girl (May, resembling a weird combination of River and Zoe). The only one I'm not sure who to make the parallel to is Skye, probably because she reminds me most of Faith from Buffy instead of any Firefly character. But to everyone who thinks that they absolutely need to bring Firefly back (they don't, and I don't want them to)? They did, as much as they can.
One of the reasons that I didn't review the pilot is that it introduces every character, while now that everyone has been introduced, we can actually focus more on the story and character interaction. As if the character parallels weren't enough to set off the alarm that this show is basically "Firefly in the Marvel Universe", a lot of elements of the plot seem to be taken straight out of episodes of Firefly: old friend of the captain who turns against the team (Tracey in "The Message"), taking over the ship (Saffron hijacking Serenity), and while I could go on, I think you get the point.
Now, I don't want people to think that I mean all of this as a slam against the series. I loved Firefly, even though I was seven years late to the party (in my defense, I was 10 when it came out), and these are more observations than any sort of value judgment.
The episode starts off with a very common TV trick - show part of the climax (or something even after that) out of context, then jump back in time to show how things got there. This starts with the side of the plane exploding and someone falling out, then cuts to "19 hours later". Aside from the exploding plane, this episode gets off to a slow start. While they're going after the 0-8-4 on the ground in Peru, I feel like things haven't picked up yet. There are no stakes, no real knowledge of what's going on or why, and that leads to the action scenes having a lot of the life sucked out of them. Once they get the artifact onto the plane, along with the members of the Peruvian military, things start to get interesting.
Every Joss Whedon show has been about the characters. Their interactions are what carry the shows, and we're starting to get the chance to see that. The best scenes in the episode are ones where the team is just interacting with each other, first in the argument in the lab, then when they're coming up with a plan to get out of the cargo hold. This is the secret behind Joss's shows - for everything else happening, including the weirdly big action sequences (seriously, how high is their budget that they keep doing these scenes), we're really there for the characters, and this is delivering on that premise so far.
Of course, there's no way I can talk about this without mentioning the stinger after the credits. Being a Marvel movie fan, I'm now pretty used to the concept, but I hope they don't do this for every episode and just use it for occasions where it particularly fits. In this case, it works kind of perfectly, as we see Nick Fury getting mad at Coulson for, well, destroying the plane after they've had it for less than a week. I certainly didn't expect this cameo this early in the show, though I hope they don't keep escalating it and we've already seen Robert Downey Jr. by the next episode - the show seems to be leaning a bit too much on the movie continuity. Taking it as a Marvel fan and not as some sort of bigger trend in the show, however, I loved this cameo, not just because it's fun to watch Samuel L. Jackson yell at people, but it also makes perfect sense that it'd be happening. A small thing that stuck out was that even he referred to "FitzSimmons" - apparently these two are so inseparable that even the (presumptively) head of S.H.I.E.L.D. knows about them as a single unit, not two separate people.
Going into what we know about the future episodes, they're going to be expanding a bit on their own continuity and mythology soon, introducing a new major villain next episode who wasn't in any of the movies, so it looks like they're building up their confidence a bit more.
The final thing that I have to say is related to a previous post that I made: the show is still finding its feet. Though I didn't go into them in too much detail, there are a few things that I don't think quite works (the beginning time on the ground in Peru, any time they're talking about politics), but that always happens in the early episodes of a TV show. I'm having that same trouble with these articles, knowing what to talk about with regards to the show.
Zac Kandell (known mostly on the internet as Mischlings) is the creator of Ravenous Badger Media and is amazed that he didn't spend this whole review gushing about Skye. Follow him on Twitter at @Mischlings for when he decides that he has short thoughts to share with the world.
When they first announced Agents of S.H.I.E.L.D., I thought that it was going to be more along the lines of Dollhouse: small group working within and occasionally against a larger, omnipotent organization, that seemed like a likely direction to take it in. What ended up happening, instead, is that we can finally stop complaining about Firefly being cancelled over a decade ago, since this is the closest we'll ever get, and I'm okay with that (I'll have more to say about that in another article, I can promise that). It resembles Firefly to an uncanny degree at times - small, occasionally dysfunctional group that lives on a plane, and the characters match up a little closely at times: the Captain who trusts his crew beyond any logic (Coulson, resembling Mal), the gun-happy "Why am I protecting these idiots" guy (Ward, resembling Jayne), the guy/girl medical/mechanical genius team (FitzSimmons, resembling Simon and Kaylee), and the mysterious badass ninja girl (May, resembling a weird combination of River and Zoe). The only one I'm not sure who to make the parallel to is Skye, probably because she reminds me most of Faith from Buffy instead of any Firefly character. But to everyone who thinks that they absolutely need to bring Firefly back (they don't, and I don't want them to)? They did, as much as they can.
One of the reasons that I didn't review the pilot is that it introduces every character, while now that everyone has been introduced, we can actually focus more on the story and character interaction. As if the character parallels weren't enough to set off the alarm that this show is basically "Firefly in the Marvel Universe", a lot of elements of the plot seem to be taken straight out of episodes of Firefly: old friend of the captain who turns against the team (Tracey in "The Message"), taking over the ship (Saffron hijacking Serenity), and while I could go on, I think you get the point.
Now, I don't want people to think that I mean all of this as a slam against the series. I loved Firefly, even though I was seven years late to the party (in my defense, I was 10 when it came out), and these are more observations than any sort of value judgment.
The episode starts off with a very common TV trick - show part of the climax (or something even after that) out of context, then jump back in time to show how things got there. This starts with the side of the plane exploding and someone falling out, then cuts to "19 hours later". Aside from the exploding plane, this episode gets off to a slow start. While they're going after the 0-8-4 on the ground in Peru, I feel like things haven't picked up yet. There are no stakes, no real knowledge of what's going on or why, and that leads to the action scenes having a lot of the life sucked out of them. Once they get the artifact onto the plane, along with the members of the Peruvian military, things start to get interesting.
Every Joss Whedon show has been about the characters. Their interactions are what carry the shows, and we're starting to get the chance to see that. The best scenes in the episode are ones where the team is just interacting with each other, first in the argument in the lab, then when they're coming up with a plan to get out of the cargo hold. This is the secret behind Joss's shows - for everything else happening, including the weirdly big action sequences (seriously, how high is their budget that they keep doing these scenes), we're really there for the characters, and this is delivering on that premise so far.
Of course, there's no way I can talk about this without mentioning the stinger after the credits. Being a Marvel movie fan, I'm now pretty used to the concept, but I hope they don't do this for every episode and just use it for occasions where it particularly fits. In this case, it works kind of perfectly, as we see Nick Fury getting mad at Coulson for, well, destroying the plane after they've had it for less than a week. I certainly didn't expect this cameo this early in the show, though I hope they don't keep escalating it and we've already seen Robert Downey Jr. by the next episode - the show seems to be leaning a bit too much on the movie continuity. Taking it as a Marvel fan and not as some sort of bigger trend in the show, however, I loved this cameo, not just because it's fun to watch Samuel L. Jackson yell at people, but it also makes perfect sense that it'd be happening. A small thing that stuck out was that even he referred to "FitzSimmons" - apparently these two are so inseparable that even the (presumptively) head of S.H.I.E.L.D. knows about them as a single unit, not two separate people.
Going into what we know about the future episodes, they're going to be expanding a bit on their own continuity and mythology soon, introducing a new major villain next episode who wasn't in any of the movies, so it looks like they're building up their confidence a bit more.
The final thing that I have to say is related to a previous post that I made: the show is still finding its feet. Though I didn't go into them in too much detail, there are a few things that I don't think quite works (the beginning time on the ground in Peru, any time they're talking about politics), but that always happens in the early episodes of a TV show. I'm having that same trouble with these articles, knowing what to talk about with regards to the show.
Zac Kandell (known mostly on the internet as Mischlings) is the creator of Ravenous Badger Media and is amazed that he didn't spend this whole review gushing about Skye. Follow him on Twitter at @Mischlings for when he decides that he has short thoughts to share with the world.
Thursday, October 3, 2013
Don't be so down on Agents of S.H.I.E.L.D. yet
Recently, my life has been pretty dominated by Agents of S.H.I.E.L.D. (expect to see a lot about that on here), which I guess I should have expected. My current obsessions are the Marvel movies and Joss Whedon TV shows, and there's no way I'd miss one or the other, no less something that combines both of them. Unfortunately, like with every other time I've been a large fan of something, I can't be part of the fandom. There are many reasons, but really, this is about expectations.
No, the show's not perfect. Far from it, in fact. Each of the two (only two!) episodes that have aired so far have their points where they don't work. I'm not trying to say that they're perfect, but there's something to keep in mind: they're still finding their feet. Look at the other Joss Whedon shows - Buffy was nearly halfway through its second season when it found its groove, Angel was almost at the end of the first season, Firefly found it right at the point where it was cancelled, and Dollhouse found it about halfway through the first season. The purpose of the beginning of the show, the pilot especially, is to get people interested in seeing more. The writers and directors are often trying to figure out the show in the early parts as well. Find your favorite show and watch the first episode again - is that anything like what it ends up being?
Look, I'm not saying to blindly watch everything. If the pilot episode doesn't make you want to watch more, then don't. But TV shows, especially now, are made to play out over the long term. The characters will have storylines that play out over the course of multiple seasons, not just a few episodes, and since JJ Abrams isn't executive producer, I have faith that the questions that are asked and the mysteries that are set up will pay off. Just don't expect everything right away.
Zac Kandell (known mostly on the internet as Mischlings) is the creator of Ravenous Badger Media and finds it really odd that he's telling other people to tone down the negativity. Follow him on Twitter at @Mischlings for when he decides that he has short thoughts to share with the world.
No, the show's not perfect. Far from it, in fact. Each of the two (only two!) episodes that have aired so far have their points where they don't work. I'm not trying to say that they're perfect, but there's something to keep in mind: they're still finding their feet. Look at the other Joss Whedon shows - Buffy was nearly halfway through its second season when it found its groove, Angel was almost at the end of the first season, Firefly found it right at the point where it was cancelled, and Dollhouse found it about halfway through the first season. The purpose of the beginning of the show, the pilot especially, is to get people interested in seeing more. The writers and directors are often trying to figure out the show in the early parts as well. Find your favorite show and watch the first episode again - is that anything like what it ends up being?
Look, I'm not saying to blindly watch everything. If the pilot episode doesn't make you want to watch more, then don't. But TV shows, especially now, are made to play out over the long term. The characters will have storylines that play out over the course of multiple seasons, not just a few episodes, and since JJ Abrams isn't executive producer, I have faith that the questions that are asked and the mysteries that are set up will pay off. Just don't expect everything right away.
Zac Kandell (known mostly on the internet as Mischlings) is the creator of Ravenous Badger Media and finds it really odd that he's telling other people to tone down the negativity. Follow him on Twitter at @Mischlings for when he decides that he has short thoughts to share with the world.
Subscribe to:
Posts (Atom)